Saturday, October 29, 2011

Questions for Overdogs

1.) Why does the literary establishment accept no criticism or dissent, even in a time of strong dissent?
2.) Why is the response to such dissent always in the most underhanded way possible-- constructing false
narratives and spreading them privately; or, when responding directly, always, ALWAYS, under fake identities?
3.) Why no response to facts and ideas-- such as in my critique of the Jonathan Lethem essay?
4.) Why go after a lone powerless voice-- and not the hugely powerful voices of media monopoly? Would that be "biting the hand" that sustains you?

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